It has been adapted five times for the screen (the Baz Luhrmann-Leonardo DiCaprio version is the most recent from 2013) and they have all dealt with the central paradox: Fitzgerald gives us so little about Gatsby. ![]() Now, the thing about The Great Gatsby is that it is both loved by readers and hard to adapt into other mediums by its fans. The New Negro – Alain Locke (the first major compendium of Harlem Renaissance writers)Īn American Tragedy – Theodore Dreiser (adapted into the 1951 film A Place in the Sun) (Up until 1998, this used to be 75 years, but some lawyers talked to some congresscritters).Īs of 2021, along with The Great Gatsby, the public domain gained: And there are plenty more to come.Ĭopyright law stipulates that any work after 95 years will enter the public domain. Baker’s slash fiction reinterpretation of all the suppressed longing in the original novel The Great Gatsby Undead, a zombie version and Michael Farris Smith’s Nick, a prequel that follows Nick Carraway through World War I and out the other side. Already you can find The Gay Gatsby, B.A. Many authors have been waiting for the chance to riff on the novel and its characters without worrying about a cease and desist letter. ![]() But Woodman-Maynard was one of many waiting for Gatsby to enter the public domain, which apart from Disney property, will happen to most recorded and written works over time.
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